Every ordinary life story is extraordinary!

Every ordinary life story is extraordinary!

Critique of Traditional Writing Rules, Part 2: Hook Your Readers on Page 1

Should memoir writers attempt a snappy first sentence to hook readers on page 1?
Critique of Traditional Writing Rules, Part 2: Hook Your Readers on Page 1
On these diminishing fall days, we’re analyzing 10 writing rules, one by one, as they apply to memoir writers. The rules are listed on WritersDigest.com, and we’re up to Rule 2: Hook Your Readers on Page 1. Yay or nay?
Follow the rule, advises author Jerry B. Jenkins. As a reader, Jenkins says on the Writer’s Digest site, “I want to be engaged from the first sentence and held throughout. I recently critiqued a beginner’s manuscript that began, ‘I’m sure we’ve all heard the old adage …’ Well, if it’s an adage, it’s old, and if it’s an old adage, yes, we’ve all heard it. So why in the world would you want to start your novel with that?” Further, Jenkins asks, “Would you be more gripped by an old adage, or by something like, ‘When he kissed her goodbye and said he’d see her at dinner, Elizabeth believed only Ben’s goodbye’?”
However, author Steve Almond recommends breaking this rule—especially if you’re a new writer. He views the rule as a landmine writers fall into; in an attempt to hook the reader, writers jump into the middle of a vignette and offer the reader no backstory whatsoever. The reader becomes confused and, responding in direct opposition to the writer’s intent, gives up on the book within the first chapter.
While I solidly side with Jenkins that a first sentence should grab the reader’s interest, I agree with Almond that you can’t go too far into a random vignette before you begin giving it context. I urge memoir writers to find something more fascinating as a first sentence than “I was born in St. Louis during World War II.” Even if that’s the first fact you provide, throw in some more information to give it some oomph: “My birth came as a welcome event to my family not only because of the healthy baby boy delivered that day at a St. Louis hospital shortly after the United States entered World War II, but also because having a child come into the world excused my father from reporting for duty to the U.S. Navy for two full weeks.”
We’ll tackle rule #3 next week!
http://www.writersdigest.com/whats-new/writing-rules-10-experts-take-on-the-writers-rulebook

On these diminishing fall days, we’re analyzing 10 writing rules, one by one, as they apply to memoir writers. The rules are listed on WritersDigest.com, and we’re up to:

Rule 2: Hook Your Readers on Page 1. Yay or nay?

Follow the rule, advises author Jerry B. Jenkins. As a reader, Jenkins says on the Writer’s Digest site, “I want to be engaged from the first sentence and held throughout. I recently critiqued a beginner’s manuscript that began, ‘I’m sure we’ve all heard the old adage …’ Well, if it’s an adage, it’s old, and if it’s an old adage, yes, we’ve all heard it. So why in the world would you want to start your novel with that?” Further, Jenkins asks, “Would you be more gripped by an old adage, or by something like, ‘When he kissed her goodbye and said he’d see her at dinner, Elizabeth believed only Ben’s goodbye’?”

However, author Steve Almond recommends breaking this rule—especially if you’re a new writer. He views the rule as a landmine writers fall into; in an attempt to hook the reader, writers jump into the middle of a vignette and offer the reader no backstory whatsoever. The reader becomes confused and, responding in direct opposition to the writer’s intent, gives up on the book within the first chapter.

While I solidly side with Jenkins that a first sentence should grab the reader’s interest, I agree with Almond that you can’t go too far into a random vignette before you begin giving it context. I urge memoir writers to find something more fascinating as a first sentence than “I was born in St. Louis during World War II.” Even if that’s the first fact you provide, throw in some more information to give it some oomph: “My birth came as a welcome event to my family not only because of the healthy baby boy delivered that day at a St. Louis hospital shortly after the United States entered World War II, but also because having a child come into the world excused my father from reporting for duty to the U.S. Navy for two full weeks.”

We’ll tackle rule #3 next week!

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Then just set up a chapter and start writing your memoir. Don’t worry about rules. There are no rules to writing your memoir; there are only trends. These trends are based on techniques and features identified in current top-selling memoirs. At best, they’re the flavor of the month. If you’re capturing your life in print for your family, for your own gratification or to inspire readers, rather than aiming to set off Hollywood screenplay bidding wars, these trends don’t even apply to you. You’ll write the memoir that suits you best, and it will be timeless, not trend-driven.There are no rules, but there are four steps:

1. Theme/framework
2. Writing
3. Editing/polishing
4. Self-publishing

You’ve researched this, too, and you’ve been shocked at the price for getting help with any one of those steps, much less all four. That’s because most memoir sites promise to commercialize your work. They’ll follow a formula based on current memoir trends, because they want to convince you that they can turn your memoir into a best-seller. These sites overwhelm you with unnecessary information not to help you, the memoir author, but to address Search Engine Optimization (SEO) algorithms so they can sell more.

That’s not what we do at Write My Memoirs. Our small community of coaches, writers and editors are every bit as skilled as any you’ll find, and we charge appropriately for their expertise and the time they’ll spend helping you craft a compelling, enjoyable read. But you won’t pay an upcharge for other websites’ commercialization, the marketing that follows, and the pages of intimidating “advice.” You can sell your book if you like—we have ISBNs available for you—but our organic process of capturing your story takes a noncommercial path.

If you want help with any or all of the four steps above, choose from our services or save money by selecting one of our packages. If you’d like to talk about what’s right for you, schedule a call. One year from now, you can be holding your published memoir in your hand. And at that point, it will be a big deal!