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Writers: “The Custodians of Memory”

Writers: “The Custodians of Memory”
We’re spending the early summer here discussing an essay on memoir writing by On Writing Well author William Zinsser. Last time, I shared the end of his essay, where he gave advice on how to and start writing your life story. Today, let’s look at the very beginning of his essay:
“One of the saddest sentences I know is ‘I wish I had asked my mother about that.’ Or my father. Or my grandmother. Or my grandfather. As every parent knows, our children are not as fascinated by our fascinating lives as we are. Only when they have children of their own—and feel the first twinges of their own advancing age—do they suddenly want to know more about their family heritage and all its accretions of anecdote and lore. ‘What exactly were those stories my dad used to tell about coming to America?’ ‘Where exactly was that farm in the Midwest where my mother grew up?’ Writers are the custodians of memory, and that’s what you must become if you want to leave some kind of record of your life and of the family you were born into.”
That’s a very powerful argument in support of writing a memoir. While you may not feel a burning desire to write an autobiography, it’s a service to your entire family to document your life’s various stories. Your memories stretch beyond your own experiences, back to the tales you heard your parents and grandparents tell. Your children and grandchildren may someday be very interested in all of that, even if right now they do not ask you about yourself.
http://theamericanscholar.org/how-to-write-a-memoir/#.UaTLItKsjTo
https://writemymemoirs.com/blog/meet-william-zinsser/

We’re spending the early summer here discussing an essay on memoir writing by On Writing Well author William Zinsser. Last time, I shared the end of his essay, where he gave advice on how to start writing your life story. Today, let’s look at the very beginning of his essay:

“One of the saddest sentences I know is ‘I wish I had asked my mother about that.’ Or my father. Or my grandmother. Or my grandfather. As every parent knows, our children are not as fascinated by our fascinating lives as we are. Only when they have children of their own—and feel the first twinges of their own advancing age—do they suddenly want to know more about their family heritage and all its accretions of anecdote and lore. ‘What exactly were those stories my dad used to tell about coming to America?’ ‘Where exactly was that farm in the Midwest where my mother grew up?’ Writers are the custodians of memory, and that’s what you must become if you want to leave some kind of record of your life and of the family you were born into.”

That’s a very powerful argument in support of writing a memoir. While you may not feel a burning desire to write an autobiography, it’s a service and a kindness to your entire family to document your life’s various stories. Your memories stretch beyond your own experiences, back to the tales you heard your parents and grandparents tell. Your children and grandchildren may someday be very interested in all of that, even if right now they do not ask you about yourself.

Meet William Zinsser

Meet William Zinsser
As a memoir writer, you should know about an American author and teacher named William Zinsser. Now 90 years old and still writing, Zinsser is the author of On Writing Well. In 2006, he wrote an essay for The American Scholar that provided valuable insight into the process of writing a memoir. With its inspirationally warm temperatures and lazy-day vacationing, summertime is a great season to begin your memoir or make significant progress on it. To help you do that, let’s spend a portion of this summer discussing Zinsser’s essay, succinctly titled, “How to Write a Memoir.”
I’m going to start at the end, with the very last piece of advice in that essay: how to get started. Zinsser suggests:
“Go to your desk on Monday morning and write about some event that’s still vivid in your memory. What you write doesn’t have to be long—three pages, five pages—but it should have a beginning and an end. Put that episode in a folder and get on with your life. On Tuesday morning, do the same thing. Tuesday’s episode doesn’t have to be related to Monday’s episode. Take whatever memory comes calling; your subconscious mind, having been put to work, will start delivering your past. Keep this up for two months, or three months, or six months. Don’t be impatient to start writing your ‘memoir,’ the one you had in mind before you began. Then, one day,…[read through your entries] and see what they tell you and what patterns emerge. They will tell you what your memoir is about and what it’s not about. They will tell you what’s primary and what’s secondary, what’s interesting and what’s not, what’s emotional, what’s important, what’s funny, what’s unusual, what’s worth pursing and expanding. You’ll begin to glimpse your story’s narrative shape and the road you want to take. Then all you have to do is put the pieces together.”
More about this essay in the coming weeks.
http://theamericanscholar.org/how-to-write-a-memoir/#.UaTLItKsjTo
http://www.amazon.com/Writing-Well-30th-Anniversary-Nonfiction/dp/0060891548/ref=sr_1_1?s=books&ie=UTF8&qid=1370966977&sr=1-1&keywords=on+writing+well

As a memoir writer, you should know about an American author and teacher named William Zinsser. Now 90 years old and still writing, Zinsser is the author of On Writing Well. In 2006, he wrote an essay for The American Scholar that provided valuable insight into the process of writing a memoir. With its inspirationally warm temperatures and lazy-day vacationing, summertime is a great season to begin your memoir or make significant progress on it. To help you do that, let’s spend a portion of this summer discussing Zinsser’s essay, succinctly titled, “How to Write a Memoir.”

I’m going to start at the end, with the very last piece of advice in that essay: how to get started. Zinsser suggests:

“Go to your desk on Monday morning and write about some event that’s still vivid in your memory. What you write doesn’t have to be long—three pages, five pages—but it should have a beginning and an end. Put that episode in a folder and get on with your life. On Tuesday morning, do the same thing. Tuesday’s episode doesn’t have to be related to Monday’s episode. Take whatever memory comes calling; your subconscious mind, having been put to work, will start delivering your past. Keep this up for two months, or three months, or six months. Don’t be impatient to start writing your ‘memoir,’ the one you had in mind before you began. Then, one day,…[read through your entries] and see what they tell you and what patterns emerge. They will tell you what your memoir is about and what it’s not about. They will tell you what’s primary and what’s secondary, what’s interesting and what’s not, what’s emotional, what’s important, what’s funny, what’s unusual, what’s worth pursing and expanding. You’ll begin to glimpse your story’s narrative shape and the road you want to take. Then all you have to do is put the pieces together.”

More about this essay in the coming weeks.

A Memorial Day Message

A Memorial Day Message
Earlier this year, I blogged about veterans’ memoirs. War—and even peacetime service—can be such a disturbing, fascinating experience that writing about it can be therapeutic. Classes, support groups and funded projects have emerged to encourage vets to put their thoughts and memories down on paper. But if you’re on your own and want to write a war memoir, what are the guidelines?
Many of the members here at WriteMyMemoirs found our site because they want to write about their time on the front lines. Let’s go to the obvious—Yahoo.com—to help you out. Among Yahoo’s 10 Tips to Writing a True War Memoir is this valuable suggestion:
“Do not leave anything out. Living through a war is no easy task, and…having to relive…everything that you’ve already been through…can be a morose and daunting experience. However, a writer cannot let emotions get in the way of telling a true story….It’s our duty as veterans to give a full and accurate depiction.”
This piece also cautions against revealing your political views regarding the war, but I disagree. It’s your memoir! While it’s important to accurately describe the action and the details, it’s also informative and interesting for the reader to know your impressions. A war experience can influence your political outlook and, in some cases, change the direction of your life, so that chapter in your memoir can be critical. Be as courageous in writing about your military experience as you were in living it. At WriteMyMemoirs, we all thank you for your service.
http://voices.yahoo.com/10-tips-writing-true-war-memoir-7736548.html

Earlier this year, I blogged about veterans’ memoirs. War—and even peacetime service—can be such a disturbing, fascinating experience that writing about it can be therapeutic. Classes, support groups and funded projects have emerged to encourage vets to put their thoughts and memories down on paper. But if you’re on your own and want to write a war memoir, what are the guidelines?

Many of the members here at WriteMyMemoirs found our site because they want to write about their time on the front lines. Let’s go to the obvious—Yahoo.com—to help you out. Among Yahoo’s 10 Tips to Writing a True War Memoir is this valuable suggestion:

“Do not leave anything out. Living through a war is no easy task, and…having to relive…everything that you’ve already been through…can be a morose and daunting experience. However, a writer cannot let emotions get in the way of telling a true story….It’s our duty as veterans to give a full and accurate depiction.”

This piece also cautions against revealing your political views regarding the war, but I disagree. It’s your memoir! While it’s important to accurately describe the action and the details, it’s also informative and interesting for the reader to hear your candid impressions. A war experience can influence your political outlook and, in some cases, change the direction of your life, so that chapter in your memoir can be critical. Be as courageous in writing about your military experience as you were in living it. At WriteMyMemoirs, we all thank you for your service.

StoryCorps Project Records People’s Memoirs

StoryCorps Project Records People’s Memoirs
“I believe if you don’t tell your family history, or document it somehow, you lose it.” That’s the sentiment of one son who interviewed his father for the ongoing StoryCorps oral history project, as quoted in a Chicago Tribune article. Certainly here at Write My Memoirs, we agree with that!
The decade-old StoryCorps project records ordinary people being interviewed by a friend or relative about their life stories. Excerpts air Friday mornings on local radio station WBEZ-FM 91.5. Funded by nonprofit groups and the Corporation for Public Broadcasting, the project is open to everyone and has recorded more than 45,000 life stories, which are archived at the Library of Congress.
To open the project to as many people as possible, this month the Chicago Cultural Center opened a StoryCorps booth containing a desk, a few chairs, a pair of microphones and a box of tissues that, according to the Tribune report, gets used up quickly. A StoryCorps facilitator sits in on the hour-long interview session to work the audio equipment and ask an occasional clarifying question. Participants receive a free audio recording of their interviews on a CD.
“The idea of StoryCorps is that the act of people interviewing each other could change their lives, make their lives better and tell them that they matter,” StoryCorps founder Dave Isay told the Trib reporter. If you would like to make an appointment to participate, call 800-850-4406 or go to chicago.storycorps.org.
http://www.chicagotribune.com/entertainment/ct-ent-0520-story-corps-20130519,0,3676901.story
http://storycorps.org/record-your-story/locations/chicago-il

“I believe if you don’t tell your family history, or document it somehow, you lose it.” That’s the sentiment of one son who interviewed his father for the ongoing StoryCorps oral history project, as quoted in a Chicago Tribune article. Certainly here at Write My Memoirs, we agree with that!

The decade-old StoryCorps project records ordinary people being interviewed by a friend or relative about their life stories. Excerpts air Friday mornings on local radio station WBEZ-FM 91.5. Funded by nonprofit groups and the Corporation for Public Broadcasting, the project is open to everyone and has recorded more than 45,000 life stories, which are archived at the Library of Congress.

To open the project to as many people as possible, this month the Chicago Cultural Center set up a StoryCorps booth containing a desk, a few chairs, a pair of microphones and a box of tissues that, according to the Tribune report, gets used up quickly. A StoryCorps facilitator sits in on the hour-long interview session to work the audio equipment and ask an occasional clarifying question. Participants receive a free audio recording of their interviews on a CD.

“The idea of StoryCorps is that the act of people interviewing each other could change their lives, make their lives better and tell them that they matter,” StoryCorps founder Dave Isay told the Trib reporter. If you would like to make an appointment to participate, call 800-850-4406 or go to chicago.storycorps.org.

Write a Memoir to Ease Your Emotional Pain

Write a Memoir to Ease Your Emotional Pain
It’s quite common in therapy for patients to be directed to write out their feelings. Putting your thoughts into words allows you to organize them, analyze them and review them later. However, writing out your thoughts is not the same as crafting your life story. The primary amazon.com review of the book Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives, by Louise DeSalvo, says: “Contrary to what most self-help books claim, just writing won’t help you; in fact, there’s abundant evidence that the wrong kind of writing can be damaging.” There’s something about story writing that is more cathartic. It has that classic form of a beginning, middle and end, even if you choose not to present your story chronologically.
Your relatives may find your memoir interesting no matter how you write it. But if you want to publish your memoir for a broader audience, keep in mind that readers are not generally intrigued by details of your therapeutic journey. In fact, one blogger maintains that readers will reject your memoir unless it contains the elements of a compelling story all on its own. Memoirists who have been widely read, blogger Agent Kristin says, have understood that “readers are interested in an inside look to a world they’ve never seen or have never imagined. A world that is unbelievable but true. A world that is unique but resonates with us. A story that captures a universal feeling and the reader senses the connection.”
I recommend a two-tier process here on Write My Memoirs. To calm your emotional turmoil, write out your feelings, your life story and your quest to find psychological peace. Keep that copy for yourself. Then if you’d like to publish your work, use that as a foundation, but craft a fascinating, nonfiction story that just happens to have you as the protagonist.
http://www.amazon.com/dp/0807072435/ref=nosim/?tag=jerwaxmenheas-20
http://pubrants.blogspot.com/2007/06/writing-memoir-is-not-therapy.html

It’s quite common in therapy for patients to be directed to write out their feelings. Putting your thoughts into words allows you to organize them, analyze them and review them later. However, writing out your thoughts is not the same as crafting your life story. The primary amazon.com review of the book Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives, by Louise DeSalvo, says: “Contrary to what most self-help books claim, just writing won’t help you; in fact, there’s abundant evidence that the wrong kind of writing can be damaging.” There’s something about story writing that is more cathartic. It has that classic form of a beginning, middle and end, even if you choose not to present your story chronologically.

Your relatives may find your memoir interesting no matter how you write it. But if you want to publish your memoir for a broader audience, keep in mind that readers are not generally intrigued by details of your therapeutic journey. In fact, one blogger maintains that readers will reject your memoir unless it contains the elements of a compelling story all on its own. Memoirists who have been widely read, blogger Agent Kristin says, have understood that “readers are interested in an inside look to a world they’ve never seen or have never imagined. A world that is unbelievable but true. A world that is unique but resonates with us. A story that captures a universal feeling and the reader senses the connection.”

I recommend a two-tier process here on Write My Memoirs. To calm your emotional turmoil, write out your feelings, your life story and your quest to find psychological peace. Keep that copy for yourself. Then if you’d like to publish your work, use that as a foundation, but craft a fascinating, nonfiction life story that just happens to be about you.

Your Memoir Should Draw From Your “Emotional Truth”

You Memoir Should Draw From Your “Emotional Truth”
Author Diana Raab observes that writing a powerful memoir is more about connecting—and connecting the reader—with your feelings and outlook on life than it is about coming up with tantalizing stories. Reach deeply into yourself, and the power will unfold.
“The most compelling memoirists reveal a deep emotional truth about their lives,” Raab told the Journal of Humanitarian Affairs in an interview promoting a memoir-writing workshop she’s leading this summer at the first annual 2013 Summer Writing Institute of Antioch University, Santa Barbara, California. “I urge my students to ‘get down to their emotional truth.’ Sometimes this is not easy to do, but once the flow begins, it is a very gratifying experience.” The author of two published autobiographical books—Regina’s Closet: Finding My Grandmother’s Secret Journal and Healing with Words: A Writer’s Cancer Journey—Rabb told the interviewer that a memoir offers a snapshot of your life centered around a theme, which is distinguished from an autobiography, which tells the story of your entire life.
“Memoirs tend to be interesting to read,” she noted, “because our lives are the accumulation of stories—some tender and heartwarming, some frustrating, some boring, and others dark and destructive—all helping to build who we are.”
Scheduled for July 28-August 3 and limited to 10 students, Raab’s workshop will blend teaching techniques ranging from lecture and discussion to critique and writing exercises. If you’re interested, apply here by June 15. (Write My Memoirs is in no way associated with the workshop.)
http://greenheritagenews.com/the-essentials-of-memoir-writing-in-santa-barbara-summer-2013/
http://www.antiochsb.edu/swi/how-to-apply/
http://www.dianaraab.com/

Author Diana Raab observes that writing a powerful memoir is more about connecting—and connecting the reader—with your feelings and outlook on life than it is about coming up with tantalizing stories. Reach deeply into yourself, and the power will unfold.

“The most compelling memoirists reveal a deep emotional truth about their lives,” Raab told the Journal of Humanitarian Affairs in an interview promoting a memoir-writing workshop she’s leading this summer at the first annual 2013 Summer Writing Institute of Antioch University, Santa Barbara, California. “I urge my students to ‘get down to their emotional truth.’ Sometimes this is not easy to do, but once the flow begins, it is a very gratifying experience.” The author of two published autobiographical books—Regina’s Closet: Finding My Grandmother’s Secret Journal and Healing with Words: A Writer’s Cancer Journey—Rabb told the interviewer that a memoir offers a snapshot of your life centered around a theme, which is distinguished from an autobiography, which tells the story of your entire life.

“Memoirs tend to be interesting to read,” she noted, “because our lives are the accumulation of stories—some tender and heartwarming, some frustrating, some boring, and others dark and destructive—all helping to build who we are.”

Scheduled for July 28-August 3 and limited to 10 students, Raab’s workshop will blend teaching techniques ranging from lecture and discussion to critique and writing exercises. If you’re interested, apply here by June 15. (Write My Memoirs is in no way associated with the workshop.)

Aiming Your Memoir at a Young Audience?

Aiming Your Memoir at a Young Audience?
“Brutally attacked by rebel soldiers who cut off both her hands….” That’s the beginning of a synopsis of The Bite of the Mango by Miratu Kamara, a book included on About.com’s list of biographies, autobiographies and memoirs for teens. Apparently teens are a tough bunch these days. Other books on the list relate the lives of a drug smuggling gone horribly wrong, teenagers on death row, a “boy soldier” in Sierre Leone and, perhaps most famous, a young surfer whose arm was chewed off by a shark.
If you believe that your memoir has something to offer young people, there’s no need to sugar-coat your life’s experiences. Write your story in words a 14-year-old can understand. Try to keep it under 300 pages. Don’t overplay the graphic detail involving violence or sex. Present it in a way that there’s a lesson they can take away—that’s probably the hardest requirement. School libraries and the young people’s sections of public libraries will carry your book if it strikes the librarians as “powerful” in painting the picture of a series of events and in delivering a message.
Without a message, the story of your life is a narrative that will resonate only with the people who know you. If you think you have something of value to teach to young people who will be inspired to follow in your footsteps, or the opposite—will be able to avoid making the same mistakes you made—write with those teens in mind.
http://childrensbooks.about.com/od/5youngadultbooks/tp/contemporary-biographies-autobiographies-memoirs-for-teens.htm

“Brutally attacked by rebel soldiers who cut off both her hands….” That’s the beginning of a synopsis of The Bite of the Mango by Miratu Kamara, a book included on About.com’s list of biographies, autobiographies and memoirs for teens. Apparently teens are a tough bunch these days. Other books on the list relate the lives of a drug smuggling gone horribly wrong, teenagers on death row, a “boy soldier” in Sierre Leone and, perhaps most famous, a young surfer whose arm was chewed off by a shark.

If you believe that your memoir has something to offer young people, there’s no need to sugar-coat your life’s experiences. Write your story in words a 14-year-old can understand. Try to keep it under 300 pages. Don’t overplay the graphic detail involving violence or sex. Present it in a way that there’s a lesson they can take away—that’s probably the hardest requirement. School libraries and the young people’s sections of public libraries will carry your book if it strikes the librarians as “powerful” in painting the picture of a series of events and in delivering a message.

Without a message, the story of your life is a narrative that will resonate only with the people who know you. If you think you have something of value to teach to young people who will be inspired to follow in your footsteps, or the opposite—will be able to avoid making the same mistakes you made—write with those teens in mind.

Try Garner’s as a Reference for Grammar and Usage

Try Garner’s American Usage as a Reference
So many questions about grammar cannot be answered simply yes/no, either/or. While we tend to think of grammar as cut-and-dried, it’s really more of a reflection of preferred usage at this moment in time—preferred rather than absolutely correct, and only at this moment because a living language is constantly changing. So a grammatical construction you learned in school 40 years ago may be less valid today. That’s less valid, not exactly wrong. Also, word choice, usage and even punctuation vary widely depending on your geography. Each English-speaking country seems to have its own rules.
For all of those reasons, for American writing I like a usage guide that’s not on everyone’s radar: Garner’s American Usage. Most people rely on a stylebook such as the AP Stylebook or the Chicago Manual of Style, or a dictionary like Webster’s or American Heritage. But unlike those references, which provide right-or-wrong information, Garner’s Modern American Usage includes the immensely helpful and sensible “Garner’s Language-Change Index,” a five-stage continuum of acceptability ranging from unacceptable to commonly preferred. Garner’s also is a fun read, adding information about the language and elaborating its points with humor.
A review by School Library Journal published on the Oxford University Press website calls Garner’s “the best of its kind in that it simply reports the facts in an engaging way; language evolves and usage changes. An invaluable ready-reference tool.”
http://www.amazon.com/Garners-Modern-American-Usage-Garner/dp/0195382757/ref=sr_1_1?ie=UTF8&qid=1366214307&sr=8-1&keywords=garner%27s+modern+american+usage
http://www.oup.com/us/catalog/general/subject/Reference/EnglishUsageGuides/?view=usa&ci=9780195382754

So many questions about grammar cannot be answered simply yes/no, either/or. While we tend to think of grammar as cut-and-dried, it’s really more of a reflection of preferred usage at this moment in time—preferred rather than absolutely correct, and only at this moment because a living language is constantly changing. So a grammatical construction you learned in school 40 years ago may be less valid today. That’s less valid, not exactly wrong. Also, word choice, usage and even punctuation vary widely depending on your geography. Each English-speaking country seems to have its own rules.

For all of those reasons, for American memoir writing I like a usage guide that’s not on everyone’s radar: Garner’s American Usage. Most people rely on a stylebook such as the AP Stylebook or the Chicago Manual of Style, or a dictionary like Webster’s or American Heritage. But unlike those references, which gauge each case as right or wrong, Garner’s Modern American Usage includes the immensely helpful and sensible “Garner’s Language-Change Index,” a five-stage continuum of acceptability ranging from unacceptable to commonly preferred. Garner’s also is a fun read, adding information about the language and elaborating its points with humor.

A review by School Library Journal published on the Oxford University Press website calls Garner’s “the best of its kind in that it simply reports the facts in an engaging way; language evolves and usage changes. An invaluable ready-reference tool.”

Check Out Some Memoir Writing Classes

Check Out Some Memoir Writing Classes
Having trouble getting started on your memoir? When you are assigned a memoir-related exercise or a certain number of pages, or if you’re expected to read your aloud to a group, you’re more likely to follow through on your own goals and deadlines. For that reason alone, a memoir class is valuable—and you just might learn how to write a memoir!
Just googling around, I found a few. This is not any sort of recommendation, since we do not have anything to do with these sites, but if you do sign up please leave a comment to let us know how you liked your experience.
It may be too late to sign up for the Tweetspeak workshop, which began yesterday and has a limit of 10 participants. It’s an online class priced at $420 for 12 weekly sessions or $350 for eight.
Gotham Writers’ Workshop offers a 10-week course for $399 plus a $25 registration fee. Beginning next week, new lectures will be posted every Tuesday, and you can access them at your convenience.
For $425, a 16-week online memoir writing class is available from The Memoir Club. This payment includes membership in the club, which has other benefits as well.
“Memoir specialist” Suzanne Sherman offers a variety of options and prices for online memoir writing sessions, including a one-day women’s workshop for just $85.
In addition, most colleges today offer online courses, so you might check the availability of a spot in any university’s online writing class. How about here at Write My Memoirs? Should we start an online memoir writing workshop?

Having trouble getting started on your memoir? When you are assigned a memoir-related exercise or a certain number of pages, or if you’re expected to read your work aloud to a group, you’re more likely to follow through on your own goals and deadlines. For that reason alone, a memoir class is valuable—and you just might learn how to write a memoir!

Just googling around, I found a few. This is not any sort of recommendation, since we do not have anything to do with these sites, but if you do sign up please leave a comment to let us know how you liked your experience.

  • It may be too late to sign up for the Tweetspeak workshop, which began yesterday and has a limit of 10 participants. It’s an online class priced at $420 for 12 weekly sessions or $350 for eight.
  • Gotham Writers’ Workshop offers a 10-week course for $399 plus a $25 registration fee. Beginning next week, new lectures will be posted every Tuesday, and you can access them at your convenience.
  • For $425, a 16-week online memoir writing class is available from The Memoir Writing Club. This payment includes membership in the club, which has other benefits as well.
  • “Memoir specialist” Suzanne Sherman offers a variety of options and prices for online memoir writing sessions, including a one-day women’s workshop for just $85.

In addition, most colleges today offer online courses, so you might check the availability of a spot in any university’s online writing class. How about here at Write My Memoirs? Should we start an online memoir writing workshop?

Children Need the Memoir, Part II

Children Need the Memoir, Part II
It seems Write My Memoirs is not the only one blogging about the link between children’s resilience and knowing their family history (see last week’s blog post). On its “Learning Network” blog, The New York Times cites the same researcher that we did—Bruce Feiler, who has studied the factors that go into making a family effective and the children well-adjusted.
The blog says that after reviewing a study by Dr. Marshall Duke, who developed a “Do You Know” scale asking children questions about their family history, Feiler concluded, “The single most important thing you can do for your family may be the simplest of all: develop a strong family narrative….The more children knew about their family’s history, the stronger their sense of control over their lives, the higher their self-esteem and the more successfully they believed their families functioned.”
The questions the blog lists as examples from the “Do You Know” scale could serve as a guide for content for your memoir: “Do you know where your grandparents grew up? Do you know where your mom and dad went to high school? Do you know where your parents met? Do you know of an illness or something really terrible that happened in your family? Do you know the story of your birth?” In your memoir, make sure you provide the next generation with details about the family that give them a real sense of where they come from.

It seems Write My Memoirs is not the only one blogging about the link between children’s resilience and knowing their family history (see last week’s blog post). On its “Learning Network” blog, The New York Times cites the same researcher that we did—Bruce Feiler, who has studied the factors that go into making a family effective and the children well-adjusted.

The blog says that after reviewing a study by Dr. Marshall Duke, who developed a “Do You Know” scale asking children questions about their family history, Feiler concluded, “The single most important thing you can do for your family may be the simplest of all: develop a strong family narrative….The more children knew about their family’s history, the stronger their sense of control over their lives, the higher their self-esteem and the more successfully they believed their families functioned.”

The questions the blog lists as examples from the “Do You Know” scale could serve as a guide for content for your memoir: “Do you know where your grandparents grew up? Do you know where your mom and dad went to high school? Do you know where your parents met? Do you know of an illness or something really terrible that happened in your family? Do you know the story of your birth?” In your memoir, make sure you provide the next generation with details about the family that give them a real sense of where they come from.

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Then just set up a chapter and start writing your memoir. Don’t worry about rules. There are no rules to writing your memoir; there are only trends. These trends are based on techniques and features identified in current top-selling memoirs. At best, they’re the flavor of the month. If you’re capturing your life in print for your family, for your own gratification or to inspire readers, rather than aiming to set off Hollywood screenplay bidding wars, these trends don’t even apply to you. You’ll write the memoir that suits you best, and it will be timeless, not trend-driven.There are no rules, but there are four steps:

1. Theme/framework
2. Writing
3. Editing/polishing
4. Self-publishing

You’ve researched this, too, and you’ve been shocked at the price for getting help with any one of those steps, much less all four. That’s because most memoir sites promise to commercialize your work. They’ll follow a formula based on current memoir trends, because they want to convince you that they can turn your memoir into a best-seller. These sites overwhelm you with unnecessary information not to help you, the memoir author, but to address Search Engine Optimization (SEO) algorithms so they can sell more.

That’s not what we do at Write My Memoirs. Our small community of coaches, writers and editors are every bit as skilled as any you’ll find, and we charge appropriately for their expertise and the time they’ll spend helping you craft a compelling, enjoyable read. But you won’t pay an upcharge for other websites’ commercialization, the marketing that follows, and the pages of intimidating “advice.” You can sell your book if you like—we have ISBNs available for you—but our organic process of capturing your story takes a noncommercial path.

If you want help with any or all of the four steps above, choose from our services or save money by selecting one of our packages. If you’d like to talk about what’s right for you, schedule a call. One year from now, you can be holding your published memoir in your hand. And at that point, it will be a big deal!