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memoir writing

Getting Feedback on Your Memoir Manuscript

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Two little girls sharing a book, giving feedback on a memoir

Figure out how many people you will ask to read your book and what information you will want them to provide.

Are you thinking about asking someone to read your memoir manuscript? How many readers? How will you select them? How far into writing the manuscript will you wait before you start asking for feedback on your memoir?

This Story Will Not Go in My Memoir

Back in college, I had to make an oral presentation that would count for most of my grade in my “Myth Into Literature” class. Departing from the Greek, Roman and random other literary myths we were studying, me being me, I decided to focus on American figures—either totally mythical like Paul Bunyan or based in truth with mythical trimmings like Johnny Appleseed and Davy Crockett. It was very fun to research and write this, and I was happy to have settled on a topic that held my interest. I don’t know why I didn’t include a woman, but back then we didn’t put diversity into the equation, and that’s a whole other discussion.

I knew how to write a paper, but I was less confident that I could speak my way through a compelling presentation, so I was more concerned with the delivery than the content. I wanted to practice out loud to minimize my anxiety and avoid a shaky voice, and that would help most if I had a live audience. The night before my presentation, a friend agreed to watch me deliver it, and when I finished he proceeded to list all the problems with every aspect of the presentation. He addressed both the content and the delivery, and I don’t think he had a single positive comment about either one.

I was not going to stay up all night recreating it, and at that point I couldn’t take the emotional risk of trying again with a different friend, so I told myself all sorts of things to neutralize the bad review. My friend was a very smart guy who didn’t do college well; he was into at least year five of a four-year program and nowhere near graduating. I decided that this had to mean he didn’t intuitively understand what professors wanted. I, on the other hand, had good grades and especially did well on papers rather than tests. Or maybe he was lashing out for some reason—trying to undermine my success. He could have been tired, hungry, not feeling well, resentful at having to spend his evening on academics, whatever.

Be Confident in Yourself

Eventually I recovered enough to stop replaying his reaction in my mind. I read over my presentation one more time, and to me it sounded perfectly fine. Planning to trust in my own abilities, I just had to keep my nerves in check and deliver it, and the following day that’s what I did. I’m not sure what my grade was, but something like A minus rings a bell.

Now, it’s been a long time since college. Since I can barely remember what I did last week, this episode in college must have created a significant impact since it has stuck with me. My conclusion at the time: So much for second-guessing yourself after a trusted friend criticizes your work. I didn’t run my stuff by anyone after that. If I liked it, my own evaluation was good enough.

But Verify

Do not learn that lesson from me. In time, I switched my conclusion to just the opposite—I had needed more feedback, not less. If I’d asked another five people to listen, I’m guessing that I would have received enough positive reaction to consider the first reviewer just an outlier.

I don’t know if that small episode in my life influenced the way I advise memoir authors today, but I do lean toward asking a lot of people to read through the book—especially the beginning of the book. By definition, people are the public, and the public is probably where you’ll be marketing your memoir if you’re not writing only for your family and friends. People have all different strengths and interests, and even if you discount some of the comments that come your way, I think a range of opinions will benefit you.

The people you’ll ask will not, or at least not necessarily, be formal editors. You’ve probably heard them referred to as “beta readers.” The major question you want them to answer is very simple: Does each page make you want to turn to the next? Does each chapter leave you with curiosity about what will happen?

People to Choose

Let’s say you decide against crowdsourcing strangers online, which is probably a good decision because you don’t know where your book’s words could end up. So instead, you look around your own circle. Who will make a good reader to give you feedback?

  • People named in your memoir. I’m not talking about someone you document as doing great harm to you. Most authors hope that person will never see the book at all, much less ahead of publication. But people you mention just as playing a role in your life—parents, siblings, friends, colleagues—might describe an episode that will augment or differ from your memories. You’re better off knowing that before you publish your book. It could be a simple fact that you remembered wrong about the person or maybe details about an event that would add color to your narrative. If you interviewed someone for your book, I think that person should get a preview of how you wrote up the information, especially if you don’t want your book to harm your relationship with the person.
  • People who love you—or at least like you! It’s risky to ask someone to read your book, because criticism is hard to hear. Readers who care about you will lovingly use a velvet hammer in sharing any negative opinions.
  • Avid readers. People who read a lot can discern the difference between an amateurish book and one that sounds as if it were professionally written. They can identify holes in the narrative and spots that are repetitive. They can alert you to passages that sound forced or just unnatural. And they certainly can address the question about whether the read was compelling enough to make them want to finish the book.
  • People with a writing, editing or English literature background. You’re not asking anyone to edit your work. But someone who has formal training in writing or book development can identify why a section doesn’t work that well. Maybe there’s a run-on sentence, a dangling modifier or too much passive voice.

If you hear the same problem from several readers, take it seriously. If one person you trust a lot mentions something, give it a lot of thought as well even if no one else brings that up. Then, ultimately, just as I learned with my oral presentation in college, you have to trust your gut. It’s your story, and you get to tell it however you like.

Melissa Etheridge Explains How Memoir Writing Supports Healing After Tragedy

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Memoir by Melissa Etheridge

Singer Melissa Etheridge has just written a memoir, Talking to My Angels, that includes revealing her grieving process after losing her son in 2020 to an opioid overdose. In a recent appearance on “Good Morning America,” Etheridge said her son’s death was one of the reasons she wanted to write the memoir.

Writing the memoir helped her with her grief, Etheridege said, in several ways:

  • Memoir is a vehicle for responding to people’s curiosity about you. Because Etheridge is a celebrity, she knew there would be questions about the circumstances surrounding her son’s death. “I knew as time went on that I would need to answer the questions, and I wanted to,” she said. “I’ve never really run away from truth, or life, as it’s happened, and I knew that I would need to explain this. So I thought that this might be a good time to do a book, so I can explain to people how I handled an addiction in the family, a death from the addiction in the family, and how we all got through it.”
  • For people going through something similar, memoir is a way to let them know they’re not alone. Etheridge explained, “I have seen, and know about, many parents who take on such a huge guilt and shame when one of their children becomes addicted, and has this problem, and dies from—this was fentanyl—and more and more this is happening. It can happen in any family. But the guilt and shame that so many take on…can really stop your own life.” She added that the person you lost doesn’t want you to stop your own life.
  • The process of writing is healing. Writing is “such a great healer,” she said. “To get it out…to then move on from it, not to just tell it over and over but to move on and say, ‘Yes, this happened.’”
  • Memoir teaches authors about themselves. “I have learned so much,” Etheridge said. “I learned how much I loved. Learning that can be so exhilarating. Wow, I loved that much that I hurt that much. And I love being human.”

Some of our Write My Memoirs members are finding a kind of solace just as Melissa Etheridge did—by writing out the facts of something unpleasant or tragic that happened to them and connecting with readers through their feelings about that time in their life. They’re discovering how powerful memoir is as a healing agent.

Lessons for Athletes Who Want to Write Memoirs—And Vice Versa

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Far view of a track meet
This week in July 2023, the National Senior Games are taking place in Pittsburgh, and I’m competing in track and field. If you’re over 50 and enjoy athletic competition in any sport, check out Senior Games. It’s fun. But that’s another topic for another time, or here’s a link to read a piece I wrote about a previous Nationals event. But what you all want to do is write memoirs.

We All Have Our Gifts

In regular life, I’m a writer, editor and memoir coach. I’m good at all three. My writing comes naturally, so that part’s a gift. I learned to edit by going to graduate school in journalism, so that’s my training. When I kind of accidentally became owner of Write My Memoirs, I taught myself little by little how to coach memoir authors, so that expertise comes from trial and error, consulting with colleagues and other types of experience.
In athletic competition, I run, jump and throw. I’m bad at all three. I was never an athlete of any sort. I can swim and I played tennis as a teen, but I was never good enough to compete in any sport. Track and field is way out of my wheelhouse. Despite that, in middle age I started running for exercise—just two miles most days. So when my husband began competing in Senior Games, I got tired of being a spectator and decided I’d enter some of the running races. Eventually I added javelin and two jump events.
The best I can say for myself is that I don’t always come in last. Sometimes I do. In this group of exceptional senior athletes, I am simply not very good. I don’t have a gift the way I do with writing, but I don’t mind. I can train and practice and teach myself.
If you’re feeling that, as a writer, you’re simply not very good, I can relate because of what I do that I feel inadequate about. But you know what we say in Senior Games? Even when you land in last place, you beat all the people sitting at home on the couch. Try thinking in those terms when you write your memoir. You’re doing something a lot of people want to do but never get past page one.
Here are a few ways I can align your desire to write with my desire to compete in track and field.

Lessons from Comparing Athletic Competition to Writing a Memoir

  1. Like my triple jump, your writing is something you can improve. I watched videos and read information to figure out the steps for the triple jump. I knew that it wasn’t a popular event, which is how I came in seventh place in my age category in this year’s Nationals! Okay, that also was last place, but I got a ribbon. I know it seems as if everyone is writing a memoir, but in terms of percentage of the population, you are a rare bird if you take your memoir the whole way to publication. Even if you don’t write the best memoir ever published, you still get a ribbon! You’ll be an author. You’ll have a book to hand out to friends and family. It’s huge.
  2. Just as I don’t enjoy running, you don’t have to enjoy writing in order to write a memoir. I run as part of my general fitness program, not because I attain a “runner’s high” or whatever dedicated runners seem to feel. You can look at your memoir as something you’re doing for yourself—not the part of yourself that wants to spend time doing something enjoyable, but the part of yourself that wants a targeted result. You want to produce your memoir. To realize that goal, you have to sit down and write it, or at least hire someone to take your information and write it for you.
  3. In competition, experts tell us all to just compete against yourself. Go at your own pace. Don’t burn out. So I run as much as I can as long as I can get myself to do it. That comes to two miles at least three times a week. If it rains or something unexpected comes up in my schedule, I wait until the next day. Writing is not that different. You don’t have to finish your memoir within one year or commit to a writing regimen of at least 30 minutes a day or set up an ideal writing environment. You know when you’re slacking, so at that point pick up the pace. Just don’t let it go completely. As with running, you keep putting one foot in front of the next, and sooner or later you get to the finish line.
  4. I’m the only “me” there is. Each of us is unique. There are so many aspects to being a person, and we differ in all of them, from the way our bodies are built to the way we think to the way our lives have progressed. My challenges in competing are different from other athletes’ challenges. Some have it easier, but many have it harder. I’m lucky to be able to run at all. Because you’re unique, your memoir will be special. If your story were already out there, you wouldn’t have to write it. Value the way you approach a project like memoir writing in your own way. Appreciate that your unique life will make an interesting narrative.

Your Memoir is Important

This isn’t a zero-sum game. I can compete alongside athletes much better than I am, with no delusion that I might win, and still be valuable as a participant in Senior Games. And you can offer a memoir that will add to the literature of what it’s like to live a particular life.

First Line of Your Memoir is the First Hook for the Reader

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Woman reading with inset image of hook

We’ve talked a lot about where in your life you should start your memoir to really hook the reader. Successful memoirs start anywhere and everywhere, but today I’d say they most typically begin with a compelling, pivotal incident that took place in, say, the first third of the person’s life or the period of time the memoir addresses. I think that’s a great way to get readers invested from the beginning—they will want to see what comes next as well as what came before to lead up to that episode.

One Rule: Be Compelling

But some memoir authors start right at the beginning. Richard Nixon’s memoir launches his life with the sentence: “I was born in a house my father built.” Janis Ian’s 2009 memoir, Society’s Child: My Autobiography, begins, “I was born into the crack that split America.”

The idea is that even if you want to follow the simplest format—start with your first appearance in the world and proceed chronologically—you still should begin your book with something more interesting than the simple time and place of your birth. Add a fact, offer a surprise, be sarcastic—keep in mind that the reader can always put the book down and never pick it up again, so with each sentence, give readers a reason to keep reading.

Salvador Dali starts not with action but with thought. He opens his memoir by revealing how confident he was even as a child: “At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.” So you see there are no rules. I would have said this type of passive beginning would not work as well as a moment of high action, but it does work. It sets the mood for how the book will roll out.

Writing Order: Again, No Rules

Just because the reader will read your first line before anything else doesn’t mean you have to write the first line before anything else. You don’t even have to write the first chapter first.

Many authors find the way they can most easily start writing is to write about an episode they know very well but one that does not require a lot of emotion for them to tell. Then little by little, you’ll get accustomed to writing about yourself and it won’t be so difficult. When you’re ready, you can write a great first sentence, first paragraph and first chapter even if you’ve already finished much of the rest of the text.

 

A Memoir Boosts Your Personal Brand—Even When You’re Already Famous

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Molly Shannon's memoir

So many of the famous people who have published well-written memoirs in the past five or ten years have gotten a boost not only in their bank accounts but in their “personal brand.” They become respected in a new way. One great example is actor Jennette McCurdy, who was only marginally well-known before her memoir, I’m Glad My Mom Died, blew up the best-seller charts.

Memoirs Create Closeness

It’s not just that these celebrities are adding an impressive credential—book author—to their résumés. When a celebrity’s book is compelling and sells well, it’s typically because the content is raw, honest, and revealing. The writing tends to be courageous, showing the author’s vulnerability and sharing failures and other low points. This all helps the person’s star rise, because readers/fans feel closer to them.

You wouldn’t think someone as globally famous as Bruce Springsteen would gain much from writing a memoir, but his critically acclaimed book opened him up in a way that even his most personal lyrics never did. An artist down a rung or two on the fame ladder like Dave Grohl, whose memoir has also received high praise, expands people’s perceptions of him.

The latest memoir author to fall into that mid-level of celebrity is Molly Shannon, whose very recent memoir, Hello Molly!,  tells of Shannon’s lifelong effects of trauma from losing her mother, sister and cousin in a car accident when she was a little girl. She also chronicles her rise to fame and dishes about lots of “Saturday Night Live” (SNL) cast members, but it’s that early episode that draws you in and makes you feel that you really know her. Book sales may very well have helped her to snag a hosting spot on this past weekend’s SNL, which in turn got her a visit to “The Tonight Show with Jimmy Fallon.” One of the things Fallon pointed out was that Shannon’s book had just been made available in paperback.

You’ll Shine Up Your Personal Brand

Remember all of this as you write your own memoir. You’ll be a published author, so that’s an accomplishment in itself. But you’ll also establish a type of intimacy with every reader in a way that you cannot otherwise achieve—even in person. There’s just something about a candid, forthcoming memoir that goes deep into the heart. Write your memoir, and your personal brand will shine.

Yes, It’s Still a Memoir When It Includes Extensive Info About Other People in Your Life

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Sam Neill memoir

Part of the buzz around actor Sam Neill’s new memoir, Did I Ever Tell You This?, comes from the information Neill shares about his friend Robin Williams. While Sam Neill is a pretty well-known celebrity, he enjoys nowhere near the devotion and popularity that Williams continues to have nearly a decade after his death.

Drop Names to Sell Books

Name-dropping is a good way to get your memoir noticed. Celebrities hang out together and are expected to share details they glean from their personal relationships with people who may be even more famous than they are. In Stories I Only Tell My Friends, Rob Lowe divulges liberally about his co-stars, including Tom Cruise, from the movie “The Outsiders,” as well as everyone else he knows. It’s just a normal part of an actor’s memoir to dish about fellow celebrities.

You may not know any celebrities, but you may finding yourself focusing whole chapters of your memoir on other people. Perhaps you want to use your memoir to pay tribute to—or expose the misdeeds of—your parents. Or if you were abused by a spouse, you might write so much about the spouse that it’s practically a separate biography within your autobiography.

Still Your Memoir

Does this change the nature of what you’re writing? Are you still the author of a memoir, or is it some more general type of nonfiction book?

When you’re telling your story from your point of view, it’s a memoir. Even if you devote quite a bit of ink to someone else’s story, unless that person is truly the focus of the book, it’s still your memoir. One of the most famous books about two people is Just Kids by Patti Smith. You could argue that Just Kids is as much about the late photographer Robert Mapplethorpe as it is about Patti Smith, but the book still is considered to be Smith’s memoir.

So go ahead and write all you want about other people who’ve had an impact on your life. That won’t change the way the book is perceived or marketed if you want to sell it. This will be your memoir, about you and the people who played a role in your life.

Memoir or Biography, Sometimes Extensive Research Is Necessary

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Book "The Suitcase"

Often memoir authors look back at their lives only to find a lot of missing pieces. Memory takes us only so far, especially in a long life. Write My Memoirs advises everyone to keep a diary—you never know when you might decide to write your life story, and a diary makes the process not only much easier but also more accurate.

With no diary to rely upon, you may end up doing research. It’s common for memoir authors to visit cities where they once lived, request public records involving themselves and their family, and pore over newspaper clippings offering facts and figures pertinent to the story.

Biography Writing

When you author a biography, which Write My Memoirs is also happy to help you craft and publish, you don’t even have your own memories to source. Maybe the person about whom you’re writing is alive and, even if that’s not the case, you may find people who knew the person and are willing to speak with you. Or you could be writing about someone whose life span is too long ago for that. In either case, you’ll probably need to pursue independent research and original reporting in order to write a biography.

A friend of Write My Memoirs told us about her cousin, Debbie Taussig-Boehner, who found out firsthand how much research it takes to flesh out a story. In her case, it was more of a mystery, even though it was about her own father, Vladimir George Taussig. It started with a simple suitcase Taussig-Boehner and her sister took possession of when Taussig died. For decades that followed, neither of the sisters opened the suitcase. Finally, looking for something to do in her early retirement, Taussig-Boehner decided to crack open the suitcase and have a look inside. From that moment on, her retirement would not be boring.

Fleshing Out a Mystery

Emptying the deteriorating suitcase, Taussig-Boehner discovered letters, pictures and artifacts. There were matchbooks from restaurants and government reports. Soon a story emerged. Her father had grown up in what was then Czechoslovakia and spent time in England and China before settling in the United States. He led an exciting life filled with adventures and political intrigue, plus he was a bit of a playboy.

For Taussig-Boehner, it became an irresistible call to flesh out the entire saga. Following the breadcrumbs led her to New York, Montreal, Prague and Shanghai. She met people who could fill in some blanks and identify people in photos. After two years of research, Taussig-Boehner brought in a young writer, Lauren Housman, to help her put together the narrative. By then she had the information organized and knew she had a lively tale. The co-authors then published their book, The Suitcase: The Life and Times of Captain X.

So if you’re feeling overwhelmed by how much information you still have to gather, know that you’re not alone. Many authors spend months or years ferreting out the facts. Everyone says the writing is the hard part, but it’s only one of the components. Good research produces true-life, compelling stories. Every life may not be as fascinating as Taussig’s, but to family and friends it will be just as interesting when it’s accurate and rich in detail.

What’s With the New Look for Write My Memoirs?

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writemymemoirs.com snips from home page

We are excited to bring you not just a fresh, easy-to-navigate look for the Write My Memoirs website but also a number of new options to help you write and publish your memoir. Now that our website redesign has gone live, we invite you to explore!

One of the first things you’ll notice is that we’ve packaged up some services to give you a break on the price tag if you were to purchase the services separately. New memoir authors typically need both coaching and editing, so we created a package for those two services. Since many want to go ahead and publish their book as well, we added publishing to create a three-part package.

Memoir “Soup to Nuts”

You can come to Write My Memoirs without one word written and leave with a published book. That may sound like a pipe dream, but we guide you through every step, “soup to nuts,” as you build your dream and make it come true. If you don’t know where to start your story, we’ll talk it through with you. If you can’t get into a writing habit, we’ll assign exercises to get you comfortable getting down the frames, facts and feelings that define your life story.

On our home page and in a “learn more” popup, we tell you how we approach memoir writing for the average person and what frustrates us about other sites offering similar services. We consider writing a memoir to be a serious goal that takes some work but brings you, your family, your friends and your descendants a world of “wow.” People who love you get to know you in the way you want them to know you.

Schedule a Call!

A serious goal is not necessarily a complicated goal. That’s where we depart from other sites. You’ll put your heart and soul into your memoir, but the process of writing, getting it edited and publishing your book is pretty straightforward. Whether you enjoy that process or not, at the end you will have a product that you can treasure and distribute the rest of your life.

We’re not slick and shiny. We’re sincere, down to earth and helpful. Schedule a call with us today! We would love to work with you.

Writing a Memoir about a Traumatic Experience

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Bulletin board posted with types of trauma

Documenting trauma is a common motivation for writing a memoir. But to write this type of memoir, authors have to go through the event emotionally all over again. That’s a big hurdle. At Write My Memoirs, we want to help you conquer that challenge.

Roxane Gay, whose own memoir documents trauma, advises writers to be raw, honest and pretty explicit. She believes your depiction of your horrifying experience should fall short of traumatizing your reader but still provide enough graphic detail so that the reader may have to put down your book for an hour or even a day before finishing that part.

Be Gentle With Yourself When Writing About Trauma

Going over what happened to you is something you can’t force. Chances are that by the time you’re considering writing this memoir, months or years have already passed since the traumatic event occurred. You didn’t just sit down at your computer the next day. But maybe the time still isn’t right.

Ask yourself whether you’re ready to more or less relive the event. If you feel that you cannot handle it, there’s no harm in waiting longer, letting more time pass between the you that faced trauma and the you that is writing the book. It’s difficult to write about it.

More Tips on Trauma Documentation

One way to find out whether you’re up to the task is to start out by writing just 15 or 20 minutes a day. Keep that up for a week, and you’ll know whether telling your story is providing a sense of relief or compounding your anxiety.

Writing for Writer’s Digest, author Kelly Clink shares tips from her own experience writing about her brother’s death by suicide. She advises writers not to keep this writing goal to yourself. As you’re writing about a traumatic event, she says, it will help to alert your therapist, family members and friends that you’re in the process of sorting out this terrible event by writing about it.

Making Your Story Relatable

Clink and other experts make the distinction between a memoir you write as therapy and a memoir you write to sell. The former is for you, the latter for everyone else. If your goal is to get closure or work out your feelings of trauma, then include the content you need for your own wellbeing. If your goal is to help others, that’s a whole different book. In that case, you’re writing for them, not for you, and you should be more selective in your content as well as less indulgent in your writing voice. Of course, you can do both. Write the book for yourself, and use that as the foundation for crafting a different, more marketable memoir.

The way to write for others is to make your personal story relatable to a lot of people. Think about what they will want to take from your experience. That doesn’t mean you should make it a how-to guide on recovering from trauma. Tell the story as a dramatic, compelling, page-turning saga. Then it can be both a valuable book for your readers and a statement of your own triumph over, or acceptance of, your traumatic ordeal.

“Life and Times”: Your Memoir Will Document Both

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Silhouette of person's head watching fireworks

Friends, this post was written just hours before the July 4 holiday of 2022 turned tragic. What a sad event to drive home the point that, through your memoir, you have an opportunity to add your personal documentation to a shared history.

 

After today’s fireworks, another Independence Day goes into the books. I mean that literally—Independence Day 2022 may find itself in a memoir someday. As you write your memoir and cover past decades, you may find yourself referring to holidays and current events.

Your Memoir Shapes History

Storytellers control how people remember historical events, as we’re reminded by futurist Erwin McManus’s quote that “whoever tells the best story shapes the culture” and the song in the Hamilton musical asking, “Who tells your story?” Your memoir will take its place among the chronicles of a certain time and place. When you write about your life in 1956 London or 1975 Los Angeles, your published memoir presents as valid a portrayal as any other work describing that place and time.

The pandemic is a perfect example. How could anyone whose childhood spanned the pandemic neglect to describe what life was like when businesses were shuttered, city subways empty, families unable to gather indoors? Perhaps their descendants will know that in 2020 a virus interrupted normal life, but through a memoir they’ll discover the impact on their dad or grandmother in a particular location. A memoir set in New York City will report conditions quite different from one set in rural Wyoming.

Volumes have been written about World War II, but each individual soldier has unique memories from the war. A soldier’s memoir will use the war as both a backdrop and a focal point, and in that way the memoir author will add details in color and texture to what the world knows about the war years.

Uneventful times, if there is such a thing, can slip under the radar. We’re taught in history class that Pearl Harbor was attacked on December 7, 1941, but what do we remember from, say, summer 1959? Offhand, I have no idea. A memoir can provide the contrast between the volatile war that preceded the 1950s and the radical changes that came with the 1960s.

Include the World At Large in Your Memoir

No one memoir will be the defining saga, the last word, about a time and place. But writing about your life is important not only to give voice to your personal experiences but also to contribute to the body of work that memorializes your era.

When you write, pay attention to what was going on in the world and how it affected your decisions, other people’s actions and everything that happened to you. Do some research, pull up some headlines and ask older friends to recall the major news of the day for you. When you write in your Write My Memoirs account, click on the “Historic Events” bar to pull up significant news stories of past decades. It’s a cool writing tool!

Include details when you describe your childhood home, the transportation you took, your city’s downtown—and the July 4 fireworks you’d attend each year. Tell the reader about your first car or cell phone, or how you wrote chain letters or went sledding on a hill that’s now paved over for parking needs.

You’re trying to tell a small story—your life. But when you’re a memoir author, you’re also reporting first-hand on the events you’ve witnessed. Taken together, the memoirs written on that era form the historic narrative of its life and times. Don’t underestimate your contribution to that history.

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Then just set up a chapter and start writing your memoir. Don’t worry about rules. There are no rules to writing your memoir; there are only trends. These trends are based on techniques and features identified in current top-selling memoirs. At best, they’re the flavor of the month. If you’re capturing your life in print for your family, for your own gratification or to inspire readers, rather than aiming to set off Hollywood screenplay bidding wars, these trends don’t even apply to you. You’ll write the memoir that suits you best, and it will be timeless, not trend-driven.There are no rules, but there are four steps:

1. Theme/framework
2. Writing
3. Editing/polishing
4. Self-publishing

You’ve researched this, too, and you’ve been shocked at the price for getting help with any one of those steps, much less all four. That’s because most memoir sites promise to commercialize your work. They’ll follow a formula based on current memoir trends, because they want to convince you that they can turn your memoir into a best-seller. These sites overwhelm you with unnecessary information not to help you, the memoir author, but to address Search Engine Optimization (SEO) algorithms so they can sell more.

That’s not what we do at Write My Memoirs. Our small community of coaches, writers and editors are every bit as skilled as any you’ll find, and we charge appropriately for their expertise and the time they’ll spend helping you craft a compelling, enjoyable read. But you won’t pay an upcharge for other websites’ commercialization, the marketing that follows, and the pages of intimidating “advice.” You can sell your book if you like—we have ISBNs available for you—but our organic process of capturing your story takes a noncommercial path.

If you want help with any or all of the four steps above, choose from our services or save money by selecting one of our packages. If you’d like to talk about what’s right for you, schedule a call. One year from now, you can be holding your published memoir in your hand. And at that point, it will be a big deal!

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